Tham khảo Hán_phục

  1. 1 2 Stevens, Rebecca (1996). The kimono inspiration: art and art-to-wear in America. Pomegranate. tr. 131–142. ISBN 978-0-87654-598-0. 
  2. 1 2 Dalby, Liza (2001). Kimono: Fashioning Culture. Washington, USA: University of Washington Press. tr. 25–32. ISBN 978-0-295-98155-0. 
  3. 1 2 《大南實錄・正編・第一紀・世祖實錄》，越南阮朝，國史館
  4. 1 2 《大南实录・正编・第一纪・卷五十四・嘉隆十五年七月条》，越南阮朝，國史館
  5. ↑ The Modern Hanfu - China Fashion Guide. Newhanfu.
  6. 1 2 Michael R. Godley, "The End of the Queue:Hair as Symbol in Chinese History"
  7. ↑ Xu, Zhongguo Gudai Lisu Cidian, p. 7.
  8. ↑ “Daoist Headdresses and Dress – Scarlet Robe”. taoism.org.hk. Bản gốc lưu trữ ngày 6 tháng 3 năm 2008. 
  9. ↑ "High Priest of the Shaolin Monastery". Newhanfu.
  10. ↑ Volpp, Sophie (tháng 6 năm 2005). “The Gift of a Python Robe: The Circulation of Objects in "Jin Ping Mei"”. Harvard Journal of Asiatic Studies 65 (1): 133–158. JSTOR 25066765. doi:10.2307/25066765. 
  11. ↑ Brown, John (2006). China, Japan, Korea: Culture and Customs. Createspace Independent Publishing (xuất bản ngày 7 tháng 9 năm 2006). tr. 79. ISBN 978-1419648939. 
  12. ↑ , ISBN 978-0-231-14350-9  |tựa đề= trống hay bị thiếu (trợ giúp)
  13. 1 2 “Ancestors, The Story of China – BBC Two”. BBC. 
  14. ↑ Yoon, Ji-Won (2006). “Research of the Foreign Dancing Costumes: From Han to Sui-Tang Dynasty” 56. The Korean Society of Costume. tr. 57–72. 
  15. ↑ ! e History of Chinese Ancient Clothing | Author:Chou XiBao 2011-01-01
  16. ↑ http://www.history.ubc.ca/sites/default/files/documents/readings/robinson_culture_courtiers_ch.8.pdf
  17. ↑ 呤唎 (tháng 2 năm 1985). 《太平天國革命親歷記》. 上海古籍出版社. 
  18. ↑ Edward J. M. Rhoads (2000). Manchus and Han: Ethnic Relations and Political Power in Late Qing and Early Republican China, 1861–1928. University of Washington Press. tr. 61–. ISBN 978-0-295-98040-9. 
  19. ↑ Twitchett, Denis; Fairbank, John K. (2008) Cambridge History of China Volume 9 Part 1 The Ch'ing Empire to 1800, p87-88
  20. ↑ 千志, 魏 (1998). 《明清史概論》. 中國社會科學出版社. tr. 358–360. 
  21. ↑ Shaorong Yang (2004). Traditional Chinese Clothing Costumes, Adornments & Culture. Long River Press. tr. 7. ISBN 978-1-59265-019-4. Men's clothing in the Qing Dyansty consisted for the most part of long silk growns and the so-called "Mandarin" jacket, which perhaps achieved their greatest popularity during the latter Kangxi Period to the Yongzheng Period. For women's clothing, Manchu and Han systems of clothing coexisted. 
  22. ↑ 周, 锡保 (ngày 1 tháng 1 năm 2002). 《中国古代服饰史》. 中国戏剧出版社. tr. 449. ISBN 9787104003595. .
  23. ↑ Edward J. M. Rhoads (2000). Manchus and Han: Ethnic Relations and Political Power in Late Qing and Early Republican China, 1861–1928. University of Washington Press. tr. 60–. ISBN 978-0-295-98040-9. 
  24. ↑ Gerolamo Emilio Gerini (1895). Chŭlăkantamangala: Or, The Tonsure Ceremony as Performed in Siam. Bangkok Times. tr. 11–. 
  25. ↑ The Museum Journal. The Museum. 1921. tr. 102–. 
  26. ↑ George Cockburn (1896). John Chinaman: His Ways and Notions. J. Gardner Hitt. tr. 86–. 
  27. ↑ Robert van Gulik (ngày 15 tháng 11 năm 2010). Poets and Murder: A Judge Dee Mystery. University of Chicago Press. tr. 174–. ISBN 978-0-226-84896-9. 
  28. ↑ James William Buel (1883). Mysteries and Miseries of America's Great Cities: Embracing New York, Washington City, San Francisco, Salt Lake City, and New Orleans. A.L. Bancroft & Company. tr. 312–. 
  29. ↑ Justus Doolittle (1876). Social Life of the Chinese: With Some Account of Their Religious, Governmental, Educational, and Business Customs and Opinions. With Special But Not Exclusive Reference to Fuhchau. Harpers. tr. 241–. 
  30. ↑ East Asian History. Institute of Advanced Studies, Australian National University. 1994. tr. 63. 
  31. ↑ Michael R. Godley, The End of the Queue: Hair as Symbol in Chinese History
  32. ↑ Bai, Qianshen (2003). Fu Shan's World: The Transformation of Chinese Calligraphy in the Seventeenth Century. 220 of Harvard East Asian monographs . Harvard University Asia Center. tr. 85. ISBN 0674010922. ISSN 0073-0483.  Bảo trì CS1: Văn bản dư (link)
  33. ↑ Faure (2007).Lỗi sfnp: không có mục tiêu: CITEREFFaure2007 (trợ giúp)
  34. ↑ Ebrey (1993)Lỗi harv: không có mục tiêu: CITEREFEbrey1993 (trợ giúp)
  35. ↑ Ebrey, Patricia (1993). Chinese Civilization: A Sourcebook. Simon and Schuster. tr. 271. 
  36. ↑ Wakeman 1975bLỗi harv: không có mục tiêu: CITEREFWakeman1975b (trợ giúp).
  37. ↑ Justus Doolittle (1876). Social Life of the Chinese: With Some Account of Their Religious, Governmental, Educational, and Business Customs and Opinions. With Special But Not Exclusive Reference to Fuhchau. Harpers. tr. 242–. 
  38. ↑ Hair: Its Power and Meaning in Asian Cultures . SUNY Press. 1998. tr. 137. ISBN 0791437418.  Bảo trì CS1: Văn bản dư (link)
  39. ↑ Trần Quang Đức (2013). Ngàn năm áo mũ (PDF). Nhã Nam. tr. 31. Truy cập ngày 1 tháng 1 năm 2018. 清朝承平日久…唯衣服之製度不改，滿俗終乏雅觀…自清朝入帝中國，四方薙髮變服，二百年來，人已慣耳目[…]不曾又識初來華夏樣矣。我國使部來京，穿戴品服，識者亦有竊羨華風，然其不智者，多群然笑異，見襆頭網巾衣帶,便皆指為倡優樣格，胡俗之移人，一至浩歎如此 
  40. ↑ 华, 梅 (ngày 14 tháng 6 năm 2007). “汉服堪当中国人的国服吗？”. People's Daily Online. 

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